All my favorite colors

All my favorite colors operates in the liminal space between physical reality and visual illusion.
My practice is rooted in the intentional rearrangement of the world as I see it rather than its documentation.
For me, photography is not a tool to mirror reality, but a possibility to reorder it.


When an ordinary object loses its function, a human body becomes part of a sculptural form,
or color transforms a landscape into something unknown, a new vantage point emerges.
This perspective explores the transition from the familiar to the unseen, marking the precise
threshold where I work. This project rejects digital manipulation.


Every spatial tension, color shift, and reflection was captured strictly in-camera. My process relies on intense flash work, optical filtration, and intuitive, real-time interventions on set to interrupt conventional sight. I am not staging a flawless arrangement, but rather pursuing the moment when a constructed reality collapses into an unpredictable photographic truth.


Ultimately, these images offer no narrative resolution or conceptual anchors.
They function as open-ended visual spaces, leaving the friction between what is known and what is perceived entirely to the viewer. In doing so, they welcome curiosity and invite a playful encounter with the freedom of imagination.